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And their time together is worth the wait, whether they’re bickering over the controls of a spacecraft or, in one more serious showdown, unleashing thousands of years of pent-up hurt and rage.
In the wrong hands, Thor could have been an utterly ridiculous character — an abbed-up demigod who looks like he’s on a gap year just finding himself, man, and who speaks with a Ye Olde English twang.
And yet Chris Hemsworth managed to make it work from the get-go, bringing charm and power to the role.
Getting back on the Norse here, the Australian actor comports himself with admirable ease, handling the comedic and dramatic aspects equally adroitly, as a rapidly maturing Thor is forced to rebel against his stubborn father in order to save Asgard (and the rest of the Nine Realms).
The day Hemsworth puts the hammer down will be a shame. The English actor is simply indelible in the role now, as adept at a devilish one-liner (“It’s not that I don’t enjoy our little chats,” he tells Odin. that I don’t”) as he is at suggesting the layers of pain and regret that lurk beneath Loki’s preening, prideful surface.
Given his increased status, it must have been tempting for Feige, Alan Taylor and writers Christopher Yost, Christopher Markus and Stephen Mc Feely to simply bump up Hiddleston’s screen time and make this the Thor And Loki Show.